Includes bibliographical references (p. -229) and index.
|Statement||by Elizabeth Gregory.|
|LC Classifications||PS310.M57 G74 1995|
|The Physical Object|
|Pagination||viii, 238 p. ;|
|Number of Pages||238|
|LC Control Number||95032708|
Through close readings of T. S. Eliot's The Waste Land, William Carlos William's Paterson, and a selection of the poetry of Marianne Moore, the author explores the spectrum of modernist response to these issues and the ways in which each poet used quotation to establish a very different position of authority for him or herself. Get this from a library! Quotation and modern American poetry: imaginary gardens with real toads. [Elizabeth Gregory] -- Why did quotation come into vogue among modernist American poets when, historically, allusion had been the preferred mode of intertextual reference? Elizabeth Gregory argues that quotation served as. 26 quotes have been tagged as american-poetry: Walt Whitman: ‘Failing to fetch me at first, keep encouraged. Missing me one place, search another. I stop. When Contemporary American Poetry emerged in , it became a revelatory collection for students and readers of poetry and solidified the reputations of many of the poets it included. With subsequent editions, A. Poulin—the founder of BOA Editions—became known for his adamant, almost confrontational editorial decisions.
The Modern American Poetry Site is a comprehensive learning environment and scholarly forum for the study of modern and contemporary American poetry. MAPS welcomes submissions of original essays and teaching materials related to MAPS poets and the Anthology of Modern American Poetry. We are also happy to take questions and suggestions for. When Quoting Three or Fewer Lines of Poetry (): • Use double quotation marks around your quotation. Capitalize whatever is capitalized in the original poem. • Include the author’s name, the title(s) of the poem(s), and the line number(s) in the text (for better source. I go you go,my dear; and whatever is done by only me is your doing,my darling) I fear no fate (for you are my fate,my sweet)I want no world (for beautiful you are my world,my true) and it's you are whatever a moon has always meant and whatever a sun will always . The Modern American Poetry Site is a comprehensive learning environment and scholarly forum for the study of modern and contemporary American poetry. MAPS welcomes submissions of original essays and teaching materials related to MAPS poets and the Anthology of Modern American Poetry.
Originally conceived as a companion website to a prominent poetry anthology, the Modern American Poetry Site has instead become a valuable repository in its own right, and a good starting point for getting acquainted with the critical history of verse. Cary Nelson created the site (known by its acronym MAPS) to accompany the Anthology of Modern American Poetry, which he edited for Oxford. The Vintage Book of Contemporary American Poetry Quotes J. D. Mcclatchy This Study Guide consists of approximately 74 pages of chapter summaries, quotes, character analysis, themes, and more - everything you need to sharpen your knowledge of The Vintage Book of Contemporary American Poetry. In these poems, the speaker attempts both to reclaim and reassemble the assailed self. Pretty much the only way you can find all of these poets in one place is in the Harper’s Anthology of 20 th Century Native American Poetry ()—a page tome, edited by Duane Niatum, that remains the single most important collection of American Indian. Sheila Griffin Llanas' Poetry Rocks book about modern poetry makes you want to read poetry. Part of the joy of this book is Llanas' clean, accessible writing, and her obvious love of the subject, but the layout and the fun facts sprinkled throughout the book help make this a fun read as s: 1.